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libreria analog vs digital trainwriting artphotography 2001 2016
Analog vs Digital

Trainwriting Artphotography 2001-2016

Graffiti & Street Art Books

Berlin based photographer Peter Stelzig has been documenting Berlin’s graffiti scene through since 1998. Since 2001 he has been focusing primarily on train graffiti. His current book project „Analog vs. Digital – Trainwriting Artphotography, Berlin 2001-2016? is intended not only to portray his own development as a photographer, but also to provide insights into analogue and digital photography techniques. The book focusses on illustrating the unique features as well as the spectrum of possibilities which analogue photography offers. Paragraphs explaning and supporting the photographs or criticially reflecting on developments in the media are another integral part of the book. In addition to discussing the essentials of photography technique and equipment, the book illustrates and explains more specific methods like double-exposure and lomography in greater detail. Moreover, different film materials are examined including cross-process, black&white, infrared and special effect film. Featuring writers as Abis, Area, Crush, Drow, Easd, Enter, Fister, Fler, Front, Great, Guard, Hercules, Heys, Hydro, Inzh, Kaze, Kird, Kicks, Kiss, Lazer, Lazr, Mamba, Matrix, Moar, Nerz, Odik, Oups, Pesd, Rage, Reck, Rino, Roger, Roy, Ruzd, Smoc, Shake, Sharp, Skim, Spider, Sone, Sput, Stereo, Tags, Teser, Tok, Tour, True, Trus, Trane, Wild, Zok, 1up and many more. Only 500 printed copies.

€ 40,00
Free shipping starting from € 100
libreria our side of the tracks

Our Side Of The Tracks

Graffiti & Street Art Books

Our side of the tracks presents 70 images from 35 different countries showing us the romantic and artistic atmosphere that surrounds train-writing discipline, all in a purely photographic perspective. The book includes portraits of many of the world’s most famous artists involved in the graffiti scene as well as many of the most visited and the most obscure places, out of reach from the general public, where graffiti writers go to paint on trains. It will not only be the bible in ones library but it will stand as a timeless piece of work in the scene now seemingly over-saturated in books about the subject. A subculture on the rise and the first-hand, behind-the-scenes look at the people, considered criminals, who practice the art known as train painting, the last antidote to blatant advertising. The photos include everywhere from New York’s grimy subway tunnels, Copenhagen’s ever-clean Metro layups, Milano’s gypsy-controlled train yards, Washington DC’s high-security spots, Paris’ legendary underground, to even Switzerland’s perfect trains. Catania’s subway before it was a tourist attraction in the graffiti scene, looking cleaner than ever. Bucharest wholecars covering the windows in 2006. Switzerland’s capital of Bern in the buff. Action in Toronto, Canada. Climbing through windows in Milan. Between the lines in Miami. Belgium, Greece, Holland, Hungary, Germany, England, Spain, France and Austria.

€ 30,00
libreria spiner scrivere da cani

Scrivere Da Cani

Graffiti & Street Art Books

Scrivere da Cani, Spiner 1994 - 2014 is a project curated by Stefano Mariani e Filippo Nicolini around the style evolution of the Milanese graffiti writer Spiner. This book contains a selection of more than 450 archive images of bombings and tags of one of the main artists of the Lambrate area based TBC crew, shot over ten years. Spiner is unique in the way he identifies characteristic places to express himself. He’s unique for the constant research of his tools which is not limited to the classics offered by the writing discipline and for his expressive evolution, free from the constraints of creating readable texts. An attitude that guided him through the city like an animal marking its territory. The idea of an unreadable calligraphy - commonly associated to a ‘dog’s handwriting’ in Italian - inspires the title of the book ‘Scrivere da Cani’ and represents a personal point of view on contemporary writing, presented in its singularity within the Milanese scene of recent years. For those who already know Spiner and appreciate his style, this publication is a unique occasion to see an impressive quantity of his works reunited in one archive, organized in a chronologic order and following the evolution of his style. To those who may not know Spiner, this book represents a chance to discover one of the most hermetic and explosive talents of the Italian scene. A truly unique book that every lover of Milanese urban art should own. Spiner is a one of a kind and maybe the last true urban writer. The last of a dying breed of stray dogs. Introduction by Filippo Nicolini and foreword by Simone Pallotta. Photography by Stefano Mariani. Bind, 416 pages, 23x15,5 cm, 150 cover edition

€ 20,00
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